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Learning from Waltz With Bashir
Waltz with Bashir
Well, from Ari Folman, the creator of this compelling animated documentary, actually. An interview with Marshall Fine of the Huffington Post, gives us a glimpse into the mind of writer/director Ari Folman who made this film against all odds and gained worldwide success. He has almost philosophical views on war, forgiveness and politics but those have no place here on an animation blog. What I really want to share here are 5 invaluable lessons gleaned from the interview with this unconventional film-maker. I hope our aspiring animators and film-makers who want to make their own films will take these lessons to heart.
Lesson No. 1: It is all in the story-telling
(from the interview) …A very personal look at the Israel-Lebanon war of 1982, Waltz with Bashir follows Folman as he tracks down old friends and fellow veterans of the Israeli Army and asks them to share their memories of the conflict. Whenever he tries to remember it, he draws a blank - and so he goes to his friends to help refresh his memory. The result is an exercise in recall that melts from memory to dream to hallucination - ending in a shocking moment of reality when the film suddenly moves from animation to archival footage of the aftermath of the Sabra and Shatila massacre of Muslims by Lebanese Christian forces, in retaliation for the assassination of president-elect Bashir Gemayel…With a controversial but factual story about war combined with real, archival footage, who would have thought the film would catch the fancy of people across the world? A dark, disturbing subject like war has been tackled innumerable times before so what sets apart this film? The answer lies in the telling of the story. Can you create interest in the minds of the audience? Can you get them involved in the lives of your characters? Can you hook them, grip them, enchant them, make them suspend disbelief and lose themselves in your story? THAT is the power of story-telling, no matter what the subject is.
Lesson No. 2: Believe. In yourself. In your story. In the medium.
(from the interview) …But, as Folman says, a nonfiction retelling that relied on archival footage would have been lumped in with all the other talking-head political documentaries that come and go - many of them never being released, most going unseen in the U.S. - every year. Animation made it stand out - and helped Folman find a way to exploit the visual aspects of what is essentially an oral history. “Animation was the only way to do it,” he says. “I imagined it as an animated film. I always knew it would be. I had no other choice. It’s a story about the subconscious, about fear and death, war horrors, drugs - the only way to include all of that was animation.” Inevitably, he faced questions: Is it true? Is it real? Which raised other questions: Did animation undermine its connection to reality - or enhance it? “The hardest part was convincing people that it could be done,” Folman say…A lot of people questioned Folman’s decision to make a film on this subject. They felt his choice of medium was inappropriate as well. He did not have a background in animation either. But he believed. In the story he had to narrate, in the medium of ‘animated-documentary’ and most of all, in himself. The strength of his conviction ensured that the film got made.
Lesson No. 3: Never give up. Keep trying.
(from the interview) …Even then, the film had to be made piecemeal. Folman started with three minutes, then started pitching. It took him four years to get the money to finish the movie. “I pitched it three and a half years ago in Toronto,” he says. “I had a three-minute scene that I showed to 40 people - and 38 of them said, ‘Why animated?’ They didn’t want it. “You have to convince a lot of people. I went to a lot of parties. It was a complicated four years. I never stopped. I did three minutes, then went to Toronto and raised money. Then I did 20 minutes, then I stopped and raised more money. Then I did 40 minutes. If you stop, you get stuck and lose your team and it gets more complicated.”…The task was daunting. The film was almost experimental and most people had rejected his pitch. Yet he went on undeterred. He not only worked on the film himself, he also went around trying to raise funds. He did everything possible to ensure the film was completed. He had a vision and a task. He went all out to make it a reality, not giving up even once.
Lesson No. 4: Innovate
(from the interview) …A TV writer (including for the Israeli version of In Therapy) and director, Folman had never worked with animation before. And with minimal funding for his idea, he had to come up with his own approach. “We invented the animation style,” he says. “Basically it is cut-out animation. We did it ourselves because of the very low budget we had.”…Sure, there were problems. Unforeseen ones as well as expected ones. With a budget that was limited, Ari and his team reiterated the proverb - Necessity is the mother of invention. When you have a goal, you cannot let anything stop you from achieving it. Try with whatever is within your means but also push the limit whenever you can. Experiment, innovate, turn your shortcomings into advantages, push the envelope.
Lesson No. 5: Do it for YOURSELF
(from the interview) …As he worked on it, Folman felt he was making something special - but what filmmaker doesn’t? Even then, though he was excited when the film was accepted at Cannes, he had no sense of the way it would be received. “We were clueless about its impact until we came to Cannes,” he says. “We knew nothing. We were working in a small lab on the outskirts of Tel Aviv and we were having fun. I knew when it was done it would be a great movie. All along, I was very confident. I had solved a lot of the problems artistically and financially. But I was surprised at the fight for the film after the screening. Really, we didn’t know what we were doing. I believe you never do as filmmakers.”…Folman did not make this film to prove a point. He did not make it to win accolades for the animation. He had a story that he wanted to narrate which he wanted to take to people across the world. He was not thinking of audiences or jury when he was making the film. He made it the way it best enhanced the story. He was focussed on the task at hand and gave it his best. That is something most of us do not do. We lose track thinking of the grand prize awaiting us at the finishing line. Do not make the film because it is your class lesson, or project, or perhaps your job. Do not do it for the ‘money’ or ‘awards’. Do it for your own sake - because you have a story that deserves to be told in the best possible manner.
I will leave you with the trailer of Waltz with Bashir and a parting thought. There is so much to learn from the experiences of others. Our animation/filmmaking students sometimes suffer because they do not have good teachers at their schools and institutes, but what stops them from learning outside the classroom?
Bambi Reincarnated in India as Buji? You decide.
Classic Animation has announced that it is releasing a 90 minute, Hindi cel-animated feature in Summer 2009 called ‘Buji’. The film is about an orphan fawn raised by a family of lions. I’m yet to interview the creators but I did find the 3 minute video on YouTube, uploaded by the producers themselves. Take a look and decide for yourself if this is Bambi reborn or not.
You can visit the Classic Animation website here.
Shemaroo Entertainment’s home production animated film ‘Bal Ganesh’ bags two Awards!
The Li’l Star Awards presented by Red Chillies Entertainment took place at Yash Raj Studios on 31st October and was attended mostly by the stars of Bollywood. What was unique about these awards was that thousands of children from 25 cities in India chose the categories and selected the nominees through a national survey. The final jury for the awards was headed by Neetu Kapoor and comprised of popular child actors from film and television.
Toonz to animate Santa Claus for 2010 Christmas release.
Toonz Animation is all set to foray into feature-length 3D animation, and how! The Thiruvananthapuram-based studio which had earlier created the animation for Hanuman is now going to animate the life of Santa Claus.
Singapore based Toonz Entertainment, which owns the Indian animation studio Toonz Animation India, has tied up with Gang of 7 Animation USA and Hyde Park Entertainment USA to produce a CG animated feature film “The Life and Adventures of Santa Claus”, based on the classic book by L. Frank Baum, the creator of ‘The Wizard of Oz’.
14 contenders named for the Oscar for Best Animation
As we approach the end of the year, it is time for a lot of speculation over the Oscars. This year 14 films have been shortlisted, the front-runner being (my personal favourite!) Wall-E, Disney/Pixar’s latest masterpiece, and the others being DreamWorks Animation’s Madagascar: Escape 2 Africa and Kung-Fu Panda, Israel’s award-winning animated documentary - Waltz With Bashir, London-based Framestore Feature Animation’s first film The Tale Of Despereaux, Blue Sky Studio’s Dr. Seuss’ Horton Hears A Who!, Disney’s stereoscopic 3-D Bolt, CG Fantasy films - Delgo and Dragon Hunters, stereoscopic 3-D film - Fly Me To The Moon, Igor, Australian stop-motion film $9.99, and the Japanese anime titles The Sky Crawlers and Sword Of The Stranger.
Waltz with Bashir does mix in some live footage towards the end of the film and I hope it doesn’t go down the same path as Alvin and the Chipmunks did last year, getting disqualified later on a small technicality.
latest@allaboutanimation.com - Podcast review of ‘Roadside Romeo’
While on the topic of ‘Roadside Romeo’, I requested my friends at twoandahalfiyers to share their review of the film with All About Animation. Unlike most typical ‘Bollywood’ reviews, these three young artists/students from NID, one of whom is an animator himself, offer a fresh perspective on the film.
The trio comprising of Rohit, Avinash and Akhila review a different movie every few weeks and their podcasts can be downloaded from their blog twoandahalfiyers.blogspot.com. This is their very first review of an animated film and though their podcasts can get quite lengthy, I highly recommend them.
Roadside Romeo bedsheets anyone?
If you are one of those rare ‘Roadside Romeo’ fans, you can now go to bed with the cast, for a small price.
Roadside Romeo, Laila and Charlie Anna
Before you jump to any conclusion, let me clarify that I’m talking about movie merchandise here. The highly anticipated, first ever feature-length 3D animated Indian film may not have set the cash registers ringing or earned too many fans, but a tie-up between YashRaj Films and HomeShop18 will allow you to own a range of specially designed ‘Roadside Romeo’ products including a special bed sheet with dazzling images from the movie, branded Water bottles, tiffin boxes, CD cases, pencil boxes, mugs and notebooks.
Waiting for Arjun…
I was in a suburban movie theatre 2 nights ago watching “A Wednesday” when they screened the trailer of UTV’s upcoming release - Arjuna, The Warrior Prince. Not that I hadn’t seen it before (thanks to YouTube!!) but experiencing it on a big screen was a whole new experience. I was amazed. This is an Indian big-budget production that we can be proud of. If the trailer is anything to go by ( and they can be misleading some times) the quality is top-notch. (See the YouTube sneak-peek at the end of the article)
Until now the only truly ‘artistic’ animated films from India that I had seen were either independent films or student films from institutes such as NID and IDC (IIT). But large scale productions have always fallen short at some level. Maybe it was the lack of vision, time, patience, knowledge or perhaps all of these. It can’t be budgetary constraints - an individual superstar’s fees for a single Bollywood movie can fund an entire animated film! But Arnab Chaudhuri, the man at the helm of Arjun, surely knows what he is doing. An alumnus of the National Institute of Design and ex-Turner Creative Director, he seems to have what it takes to do justice to the story and the medium.
The animation style appears to be a combination of 2D and 3D - the final look and feel is of 2D animation but the fabric, the water and the movements of the characters are distinctly 3D. The film is reminiscent of Disney’s Prince of Egypt while Arjun could easily be the long-lost brother of Tarzan! The script writers seem to have taken a few liberties with the story but that is what great story-telling is about; retelling an age-old tale and embellishing it with one’s own visual interpretation.
This is the second Indian animated film that holds a lot of promise, after Yash Raj Film’s Roadside Romeo, which is an out and out 3D animated feature. I am looking forward to both of them and so is the entire Indian animation community. The Indian audiences have got a raw deal from some haughty, talent-less so-called animation film makers - a case in point being the makers of the recent ‘Icy n Spicy’, who thankfully got the boot from the audience! Roadside Romeo and Arjun should more than make up for it and once and for all dispel the myth that Indian animation lacks talent and vision when it comes to original IP productions. Until the movie releases, enjoy the trailer 
