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Shemaroo Entertainment’s home production animated film ‘Bal Ganesh’ bags two Awards!

The Li’l Star Awards presented by Red Chillies Entertainment took place at Yash Raj Studios on 31st October and was attended mostly by the stars of Bollywood. What was unique about these awards was that thousands of children from 25 cities in India chose the categories and selected the nominees through a national survey. The final jury for the awards was headed by Neetu Kapoor and comprised of popular child actors from film and television.

Roadside Romeo bedsheets anyone?

If you are one of those rare ‘Roadside Romeo’ fans, you can now go to bed with the cast, for a small price.

Roadside Romeo, Laila and Charlie Anna

Roadside Romeo, Laila and Charlie Anna

Before you jump to any conclusion, let me clarify that I’m talking about movie merchandise here. The highly anticipated, first ever feature-length 3D animated Indian film may not have set the cash registers ringing or earned too many fans, but a tie-up between YashRaj Films and HomeShop18 will allow you to own a range of specially designed ‘Roadside Romeo’ products including a special bed sheet with dazzling images from the movie, branded Water bottles, tiffin boxes, CD cases, pencil boxes, mugs and notebooks.

Waiting for Arjun…

I was in a suburban movie theatre 2 nights ago watching “A Wednesday” when they screened the trailer of UTV’s upcoming release - Arjuna, The Warrior Prince. Not that I hadn’t seen it before (thanks to YouTube!!) but experiencing it on a big screen was a whole new experience. I was amazed. This is an Indian big-budget production that we can be proud of. If the trailer is anything to go by ( and they can be misleading some times) the quality is top-notch. (See the YouTube sneak-peek at the end of the article)

Until now the only truly ‘artistic’ animated films from India that I had seen were either independent films or student films from institutes such as NID and IDC (IIT). But large scale productions have always fallen short at some level. Maybe it was the lack of vision, time, patience, knowledge or perhaps all of these. It can’t be budgetary constraints - an individual superstar’s fees for a single Bollywood movie can fund an entire animated film! But Arnab Chaudhuri, the man at the helm of Arjun, surely knows what he is doing. An alumnus of the National Institute of Design and ex-Turner Creative Director, he seems to have what it takes to do justice to the story and the medium.

The animation style appears to be a combination of 2D and 3D - the final look and feel is of 2D animation but the fabric, the water and the movements of the characters are distinctly 3D. The film is reminiscent of Disney’s Prince of Egypt while Arjun could easily be the long-lost brother of Tarzan! The script writers seem to have taken a few liberties with the story but that is what great story-telling is about; retelling an age-old tale and embellishing it with one’s own visual interpretation.

This is the second Indian animated film that holds a lot of promise, after Yash Raj Film’s Roadside Romeo, which is an out and out 3D animated feature. I am looking forward to both of them and so is the entire Indian animation community. The Indian audiences have got a raw deal from some haughty, talent-less so-called animation film makers - a case in point being the makers of the recent ‘Icy n Spicy’, who thankfully got the boot from the audience! Roadside Romeo and Arjun should more than make up for it and once and for all dispel the myth that Indian animation lacks talent and vision when it comes to original IP productions. Until the movie releases, enjoy the trailer :)

Recession in the industry?!! Don’t press the panic button just as yet.

Now that the noise has died down and the dust has settled, the casualty is slowly beginning to show. For two years everyone was shouting from the rooftops about the animation boom in India. Institutes proclaimed India needs animators and ill-informed parents poured out their hard-earned money into many an unworthy school. Many people left their well-paying jobs and successful businesses to enter the animation industry. All of a sudden everyone wanted to be in animation.

The hype was not all bad. Many more people began sitting up and taking notice of this thing called ‘Animation’ than before. Students and parents alike opened their eyes to this new career prospect. Existing animators began celebrating their new-found respect in the eyes of their detractors who had so far looked down upon their choice of vocation. All-in-all the Indian animation industry saw a spurt in interest, enthusiasm, educational avenues and job opportunities. Within a year, more than 70 animated feature films were announced. Actual work began on a far lesser number of movies.

But the latest news coming out of studios is not good. Many production houses and studios have folded up. Others have laid off a majority of their employees. People have woken up to the fact that making an animated film is no cake walk. There may be a lot of enthusiasm and ideas but the lack of funds, acute shortage of ‘talented’ artists and short-sightedness of studios have become major obstacles.

After mytho, what next? Serve old wine in a new bottle!

How do some creative Indian film producers combat the slew of animated mythological movies? By making animated versions of old Hindi classics! Why bother with writing an original story when you can just buy the rights to a successful movie from another era and package it as per the flavour of the season - Animation!

Don’t believe me? Read this news report on Pritish Nandy Communications’ latest venture - animated remakes of three Shakti Samanta golden oldies - Howrah Bridge, Amar Prem and Barsaat Ki Ek Raat.

Pritish Nandy announced, “This is my homage to one of the most underrated filmmakers of the country. When I met Mr. Samanta, he was so pleased to know his films would reach out to a new generation. Howrah Bridge is one of my favourite noire films. The magic of Sachin Dev Burman’s music, the chemistry between Ashok Kumar and Madhubala and the seductive charm of Ashok Kumar’s baritone….all that I want to capture in animation form.”